FemminaClassica: Resurrecting Ancient Women's Lives

FemminaClassica is a collection of articles, podcasts and webinars about women in the classical world whose narratives have long ago been buried
– curated by Mary Naples

Livia Drusilla: Mother of the Country or Evil Stepmother?

Livia Drusilla (58 BCE–29 CE) was portrayed as the quintessential Roman matrona (mother)—modest, devoted, and virtuous. This image shaped imperial propaganda and earned her an extraordinary amount of public statuary as well as a considerable cult following during her lifetime, particularly in the Greek East, where she was worshipped as a goddess.

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Orestes Slaying Aegisthus and Clytemnestra, Bernandino Mei 1654

The Elegies of Electra

Not every Greek character has a complex named in their honor, and few are more deserving of such recognition than Electra. Coined by Swiss psychoanalyst Carl Jung to name a female counterpart to Freud’s famous “Oedipus Complex”, the “Electra Complex” describes a daughter’s longing for her father, coupled with deep resentment towards her mother. This term effectively encapsulates the myth of Electra, the princess of Mycenae and the second daughter of King Agamemnon and Clytemnestra. Imbued with themes of vengeance, loyalty, and the complex dynamics of familial relationships, her story resonates profoundly in Western literature and psychology.

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Unsung Penelope

For thousands of years, women everywhere have had Penelope to thank for playing the indelible role of a loyal and stalwart wife to Odysseus, her devious, vengeful and violent-prone husband. Displaying a keen intelligence and an unwavering constancy for endless hard years, Penelope is often depicted in the epic as weeping and wailing while she confines herself to the bedroom during critical moments—apropos of any intelligent and strong woman.

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